case 12-related materials | chinain12artworks

Trompe-l’oeil fan

Francesco Stagni, Trompe-l’oeil fan, 1771. Fitzwilliam Museum, Cambridge, UK.

Untitled (front side), Chen Bingchan

20th Century, Ink and color on silk, Museum of Fine Arts Boston

Duan Jian Can Pian (Broken Bamboo Sl

Late 19th–early 20th century Ink and color and gold on paper, Museum of Fine Arts Boston

Untitled, Zheng Zuochen

20th Century, Ink and color on paper, Museum of Fine Arts Boston

Untitled, Liu Lingheng

Late 19th–early 20th century, Ink on paper, Museum of Fine Arts Boston

Eight Brokens

Wu Hua, One of pair of Bapo ("The Eight Brokens") paintings, late 19th century, Qing Dynasty.

Eight Brokens

Untitled (detail), Chinese, 1900. Ink and color on paper. Museum of Fine Arts, Boston.

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Puzzles of the Treasured Past

June 17, 2017 – October 29, 2017
Lee Gallery (Gallery 154)

Eugene Wang, "Sketch Conceptualism as Modernist Contingency," in Chinese Art: Modern Expressions, ed. M. Hearn and J. Smith (New York: The Metropolitan Museum of Art, 2001), pp. 102-161.
Nancy Berliner. “The ‘Eight Brokens’ Chinese Trompe-l’oeil Painting,” Orientations, 23, no. 2 (1992): 61-70.
Nancy Berliner, “Questions of authorship in ‘: Trompe l’oeil in the twentieth-century Shanghai,” , 433 (1998): 17-22.
Shana Brown, (2011):51-72 (Chapter 3 “A Passion for Antiquity, in Two Dimensions and in Three”)
Kenneth Starr, , 128-44 (“Composite Rubbings”)

Wu Hung, “On Rubbings: Their Materiality and Historicity,” in Writing and materiality in China: essays in honor of Patrick Hanan (2003): 29-72.
Shana Brown, (2011):13-32 (Chapter 1, Antiquarianism and Its Genealogies); 33-50 (Chapter 2, Antiquarianism in an Age of Reform); 73-86 (Chapter 4, Wu Dacheng’s Paleography and Artifact Studies)
Yi Gu, “What's in a name? Photography and the reinvention of visual truth in China, 1840-1911,” 95, no. 1 (2013): 120-38.