RELATED MATERIALS
Related Artworks
Francesco Stagni, Trompe-l’oeil fan, 1771. Fitzwilliam Museum, Cambridge, UK.
20th Century, Ink and color on silk, Museum of Fine Arts Boston
Late 19th–early 20th century Ink and color and gold on paper, Museum of Fine Arts Boston
20th Century, Ink and color on paper, Museum of Fine Arts Boston
Late 19th–early 20th century, Ink on paper, Museum of Fine Arts Boston
Wu Hua, One of pair of Bapo ("The Eight Brokens") paintings, late 19th century, Qing Dynasty.
Untitled (detail), Chinese, 1900. Ink and color on paper. Museum of Fine Arts, Boston.
China's 8 Brokens Exhibition
Puzzles of the Treasured Past
Museum of Fine Arts Boston
June 17, 2017 – October 29, 2017
Lee Gallery (Gallery 154)
-
Nancy Berliner. “The ‘Eight Brokens’ Chinese Trompe-l’oeil Painting,” Orientations, 23, no. 2 (1992): 61-70.
-
Nancy Berliner, “Questions of authorship in ‘: Trompe l’oeil in the twentieth-century Shanghai,” , 433 (1998): 17-22.
-
Shana Brown, (2011):51-72 (Chapter 3 “A Passion for Antiquity, in Two Dimensions and in Three”)
-
Kenneth Starr, , 128-44 (“Composite Rubbings”)
-
Shana Brown, (2011):13-32 (Chapter 1, Antiquarianism and Its Genealogies); 33-50 (Chapter 2, Antiquarianism in an Age of Reform); 73-86 (Chapter 4, Wu Dacheng’s Paleography and Artifact Studies)
-
Yi Gu, “What's in a name? Photography and the reinvention of visual truth in China, 1840-1911,” 95, no. 1 (2013): 120-38.