CHINA IN 12 ARTWORKS

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    China's 8 Brokens Exhibition

    Puzzles of the Treasured Past

    Museum of Fine Arts Boston

    June 17, 2017 – October 29, 2017
    Lee Gallery (Gallery 154)

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    • Eugene Wang, "Sketch Conceptualism as Modernist Contingency," in Chinese Art: Modern Expressions, ed. M. Hearn and J. Smith (New York: The Metropolitan Museum of Art, 2001), pp. 102-161.

    • Nancy Berliner. “The ‘Eight Brokens’ Chinese Trompe-l’oeil Painting,” Orientations, 23, no. 2 (1992): 61-70.

    • Nancy Berliner, “Questions of authorship in ‘: Trompe l’oeil in the twentieth-century Shanghai,” , 433 (1998): 17-22.

    • Shana Brown, (2011):51-72 (Chapter 3 “A Passion for Antiquity, in Two Dimensions and in Three”)

    • Kenneth Starr, , 128-44 (“Composite Rubbings”)

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    • Wu Hung, “On Rubbings: Their Materiality and Historicity,” in Writing and materiality in China: essays in honor of Patrick Hanan (2003): 29-72.

    • Shana Brown, (2011):13-32 (Chapter 1, Antiquarianism and Its Genealogies); 33-50 (Chapter 2, Antiquarianism in an Age of Reform); 73-86 (Chapter 4, Wu Dacheng’s Paleography and Artifact Studies)

    • Yi Gu, “What's in a name? Photography and the reinvention of visual truth in China, 1840-1911,” 95, no. 1 (2013): 120-38.

    Further Reading